Female Chauvinist Pigs- Women and the Rise of Raunch Culture
By Ariel Levy
- Paperback: 256 pages
- Publisher: Free Press; 1 edition (October 3, 2006)
- Language: English
- ISBN-10: 0743284283
- ISBN-13: 978-0743284288
Today’s young women seem to be outdoing the male chauvinist pigs of yesteryear, applauding the ‘pornification’ of other women, and themselves. This is a world where simulating sex for baying crowds of men on shows like Girls Gone Wild and going to lapdancing clubs – as patrons – is seen as a short cut to cool. Ariel Levy says the joke’s on the women if they think this is progress. She tears apart the myth of this new brand of ‘empowered woman’ and refuses a culture-wide obligation for women to act and look like porn stars. This terrifically witty and wickedly intelligent book makes the case that the rise of raunch does not represent how far women have come – it proves only how far women have left to go.
Genre: Sociology | Sexuality | Gender
Ariel Levy’s debut book is a bold, piercing examination of how twenty-first century American society perceives sex and women. Writing vividly, she brings her readers to places she visited to make her assessment; the elevator of Playboy Enterprises with women auditioning to be Playmates in the fiftieth anniversary edition, a Florida beach where sunbathers urge a woman to take off her bathing suit for the camera crew of Girls Gone Wild, a San Francisco Italian restaurant where a lesbian worries she’s not dressed up enough for her date, a CAKE party in New York, with women grinding each other’s pelvises in time to pulsating dance rhythms, and outside a juice bar in Oakland where a beautiful high school student shares disappointment at her experiences with sex.Levy cleverly leads us to explore the role models women aspire to emulate. We are not pursuing the confident, self-determined, powerful, free ideal the women’s liberation movement would have dreamed for its daughters. Instead, our icons are porn stars and strippers and prostitutes. Paris Hilton and Jenna Jameson flaunt their successes in the pornography industry, and in doing so seem to earn our adulation.
Levy relates our embracing of this raunchy culture to unresolved tensions thirty years ago between the sexual revolution and the women’s liberation movement, and amongst feminists; joy at discovering the delights of our clitoris conflicting with disgust at pornography’s objectification of women. She creates a convincing argument by analyzing a diverse spectrum of material; presents a fascinating palette of interviews with revolutionary women’s libbers, nouvelle raunchy feminists, and everyday women and men. Detailed facts and recurring names are sometimes cumbersome, albeit worth ploughing through for the ‘a-ha moments’.
The reality that we model ourselves on images whose “individuality is erased” is harsh, yet Levy’s work is imbued with hope – hope that women can celebrate their uniqueness instead of their ‘hotness’, explore their sexuality as delight rather than consume sex as currency, and succeed professionally because of their brilliant minds and personalities, not because of their brilliant bodies.–Megan Jones Ady –This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Starred Review. What does sexy mean today? Levy, smartly expanding on reporting for an article in New York magazine, argues that the term is defined by a pervasive raunch culture wherein women make sex objects of other women and of ourselves. The voracious search for what’s sexy, she writes, has reincarnated a day when Playboy Bunnies (and airbrushed and surgically altered nudity) epitomized female beauty. It has elevated porn above sexual pleasure. Most insidiously, it has usurped the keywords of the women’s movement (liberation, empowerment) to serve as buzzwords for a female sexuality that denies passion (in all its forms) and embraces consumerism. To understand how this happened, Levy examines the women’s movement, identifying the residue of divisive, unresolved issues about women’s relationship to men and sex. The resulting raunch feminism, she writes, is a garbled attempt at continuing the work of the women’s movement and asks, how is resurrecting every stereotype of female sexuality that feminism endeavored to banish good for women? Why is laboring to look like Pamela Anderson empowering? Levy’s insightful reporting and analysis chill the hype of what’s hot. It will create many aha! moments for readers who have been wondering how porn got to be pop and why feminism is such a dirty word.